Architecture is a powerful art form that shapes the world around us, blending functionality with aesthetic appeal. Within this field, certain individuals rise to prominence for their visionary designs and their ability to push the boundaries of what is possible. One such architect is Wang Da-Hong, whose innovative approach and bold creations have earned him international acclaim. His architecture lies on the crossroads between East and West, tradition and modernism and his pioneering design have shaped the urban landscapes of Taiwan.

Born in Beijing in 1917, Wang grew up in a time of tumultuous change for China. As a result, at 13 he moved to the UK, later attending Cambridge University before going to Harvard. It was during this time as well, that the great international cities of the world were being transformed and modernised with movements such as Art Deco being and modernism. As such, he witnessed firsthand the transformation of urban landscapes and the potential for architecture to shape societies. Inspired by the architectural wonders of both Western and Eastern cultures, Wang Da-Hong developed a deep appreciation for blending traditional elements with modern sensibilities. This interplay of cultural influences would become a defining characteristic of his work.

Wang Da-Hong's architectural philosophy was rooted in the belief that buildings should seamlessly integrate into their surroundings while offering a transformative experience to those who inhabit them. His designs sought to harmonise with nature, incorporating sustainable practices and maximising natural light and ventilation. Moreover, unlike many other Modernists , Wang Da-Hong emphasised the importance of cultural context, as he believed architecture should reflect and respect the history, traditions, and values of the communities it serves. In a time of great social turmoil for China - with Mao Zedong's Cultural Revolution in full force - Wang’s designs sought to advance a modernist movement whilst still maintaining the rich traditions and cultural heritage of China. Indeed, the culmination of this philosophy and his marriage of the East and West, as well as tradition and modernity is seen in none other than his magnum opus: the Sun Yat-Sen Memorial Hall.

Sitting at the heart of Taipei, the Hall was built to commemorate the man at the heart of the Republic of China. Although the ‘Father of a Nation’, Dr. Sun Yat-Sen was a revolutionary, an ideologue, and a man of the people. Indeed, inspired by calligraphy, the design of the sweeping roof echoed the Chinese character 人 (people). While still retaining the tenets of traditional architecture, the Memorial Hall’s design was grounded in modernism and the simplicity which it introduced. As Wang said “Dr. Sun Yat-Sen’s life was characterised by purity and simplicity, so the building should not be vulgar and gorgeous but stately and friendly”. As a result the curving silhouette of the unadorned roof sweeps towards the sky, projecting both strength and grace. The slender columns stretch high evoking solemnity and grandeur. The undecorated dark red brick walls wrap the building manifesting Dr. Sun Yat-sen’s warmth and simplicity.

Wang Da-Hong's architectural designs have left an indelible mark on the urban landscapes of Taiwan. His ability to blend Eastern and Western influences, and the conflicting forces of tradition and modernism, has resulted in visionary designs that embody the essence of cultural integration and harmony. The Sun Yat-Sen Memorial Hall stands as a testament to his philosophy, seamlessly integrating with the surroundings while paying tribute to a revered figure in Chinese history. As a pioneer in architecture, Wang Da-Hong's legacy will continue to inspire future generations of architects. Though not the father of a nation, Wang was undoubtedly the father of modernist architecture in Taiwan.